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Goldsmith
Historic notes on a craft that still exists
The Pescocostanzo
production recalls some aspects of the Lombardo, from which it probably
derives, and there
are definite connecting points with the designs of pillow lace, another work typical of
Pescocostanzo, in the embroidery the stitches "alla-milanese" and
"veneziano" are recurrent. In particular, we refer to the filigree technique
which is often used and is characteristic to Pescocostanzo but brings to mind
Venice, and
so leaving room to the hypothesis, as with the lace, of lagoon
contacts, perhaps
indirectly through the Lanciano fairs.
But at Pescocostanzo, as well as working by melting, there was use of
moulds too, and the use of repoussé was not totally ignored. The possible contribution of
the Neapolitan school for these kinds of work must not be
underestimated; above all being
the natural source of supply of the mw materials together with
enamels, cameos, and
semi-precious stones used in the working. Oriental influences are more evident in the Scanno
goldsmith's production,
linked as it is to the custom and culture of those people. Here, silver is preferred to
gold, and melting to filigree, the latter being used more for decorating and welding the
melted products. This work of composition often elaborated during the
centuries, from a
pastoral culture used to re-utilizing everything, starting from
buttons, of which the
traditional costume of Scanno is rich and of other forms of
decorations, until a jewel is created. Such an artistic evolution which follows exactly the phylogeny of the
goldsmith's
art, is documented at Scanno in the prints and traditional materials that the Di Renzo
family, still today, hands on from father to son, and has been doing so for the past 13
generations, since 1560, keeping intact their own laboratory with all its
instruments. At
Sulmona, too, all the techniques were used, including filigree, even in ages previous to
the beginning of the Pescocostanzo goldsmith's art. But what is still possible to be seen
in the city are, above all, the medieval evidence of this art, preserved in the Museo
Civico (Town Museum).
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